At Future Heritage
Hope’s main body of work at Future Heritage 2019 featured larger vessels, both in sets and as individual pieces. Exploring the theme of translating elements found in other materials – folds, creases, crumples – into accents on the surface of the wooden vessels.
The process of creating these larger vessels was an involved and rewarding one for Hope, in the sense of taking the complete journey with the material – from source to object. This involved felling the right tree from a sustainably managed woodland in Sussex. Sectioning and then turning the heart out of the pieces, while green. Drying slowly and carefully over a few months, to avoid splitting. Then carving and shaping to create the final forms.
For the smaller pieces, Hope set out to create a group of pieces, rooted in the functional form of the spoon. ‘I wanted to play with the idea of the utilitarian form, moving into a clear object of sculpture. Stretching the form away from the ability or desire to use; a small series of abstractions,’ he explains.