Her artwork draws inspiration from the landscape and its perception within changing environments. How specific places and environments are remembered and perceived, within and throughout our lives, holds a particular significance for Slater Stokes. She investigates how memory-based landscapes capture and stop time, preserving depictions of virtual worlds within glass.
Slater Stokes’ work explores the creation of the 3D or spatial image and the notion of glass as a facilitator, in working with and challenging our perception of ‘space’ and ‘place’. Within her making process these elements are digitally rendered in three dimensions and then interlaced to match with kiln cast glass lenses.
The glassmaking techniques used are founded in the tradition of studio-based kiln formed glass, with techniques ranging from lost wax casting, slumping and fusing glass, alongside the glass carving and finishing processes of sandblasting, engraving, cutting, grinding, machine and hand lapping, and finally polishing.