Mill blades that are over a metre in diameter, catch the wind, making it possible to knit an extremely long scarf. When it is windy the machine knits fast and with less wind, the machine knits slowly. The knit is ‘harvested’ and transformed into scarves, each one labelled with the time and date that the wind knitted the scarf. This is complemented by a windmill brooch, which is not just a piece of jewellery, but also a producer of energy and a green striped scarf that daily reveals the changing colour of the water in Venice.
Karhof’s knitted harvest is also used as upholstery on her ‘Windworks,’ furniture. Here wind powers the sawmill that cuts the wood, the mill that grinds the natural dyes and the mill that knits the yarn; a production triptych between three windmills that makes visible what can be produced with wind power
Merel Karhof has presented her work in exhibitions in London, Milan, Venice and China. In 2011, the Kentucky Museum of Art and Craft, purchased her work and recently the Zuiderzeemuseum bought her ‘Tanning-Laboratory’ for their permanent collection.
She is, with Marc Trotereau, the co-founder of lighting design label ‘ShadeVolume.’ ‘The lighting collection is a modern interpretation of the classic lampshade. Karhof and Trotereau developed a strong and simple system to link lampshades together, in a variety of groupings. With few generic shapes, the system allows an endless combination of lamps, from a single product to a large-scale bespoke installation. By combining and de-forming this familiar object, the project explores a new language of lighting.
Merel Karhof is a lecturer at a number of institutions including the London College of Fashion and ArtEZ in Arnhem.